Remember My Face
from The Rifles In Mind Recoil by Tendon Levey
lyrics
Daylight falls in waves
Blue as the water
I take it I missed out
I missed out
I want to be the prince of the bees, please
(That is what you are!)
Remember my face, my best friends
My best friends
My best friends
Remember my face when it′s time for sugar water and sauce
I love you, I love you
False!
Blue as the water
I take it I missed out
I missed out
I want to be the prince of the bees, please
(That is what you are!)
Remember my face, my best friends
My best friends
My best friends
Remember my face when it′s time for sugar water and sauce
I love you, I love you
False!
credits
from The Rifles In Mind Recoil,
released December 15, 2011
license
all rights reserved
tags
about
Tendon Levey
Private, diarial recording project of reclusive occultist Choir “Tendon” Leviyey recorded over a period of four years (August 2007-June 2011) and disrupted by vocal injury. Finally released to the public for the first time in 2017 to commemorate the project’s ten year anniversary. Please visit bit.ly/leviyey and bit.ly/leviyeytwo for more. ... more
discography
-
May 2011 -
May 2011 -
Apr 2011 -
Dec 2011
contact / help
Tendon Levey recommends:
-
Improvisational Vocal Exercises
by LeviyeyA selection of vocal exercises recorded in the fall of 2014 and representative of my final efforts to sing.
go to album -
An EP of apocalyptic and verbose recordings recorded via tape recorder by a ten-year-old Leviyey (under the moniker "End Time Locust").
go to album -
Bored Shadows Boom and Bend
by MascherariAh, Mascherari: a ghostly, punky side-project from early 2010 which I rather enjoyed until it eventually merged with my main project.
go to album
If you like Tendon Levey, you may also like:
-
supported by 10 fans who also own “Remember My Face”
First time ever posting about a track - Protoype has this place for me that I keep coming back to. That hit just keeps it without apology!
go to album -
-
Lesser Angel Of Failure 20th Anniversary Deluxe Edition
by John SchullerJohn Schuller's outsider classic from the ”New Weird America” movement of the '00s gets a worthy re-release on Cacophonous Revival.
go to album
